This section showcases Dan Abramson's three-dimensional assemblage works and gallery boxes, considered the magnum opus of his artistic output.

Abramson, who mastered multiple media including sculpture and painting, was deeply influenced by the American assemblage artist Joseph Cornell, whom he called the "mechanic of the ineffable."

Abramson's philosophy led him to believe that the means of expression were no longer found "in the art store" but "in the gutters & dumpsters, in heaps of earthquake debris". This approach is evident in his box constructions, which embody his disdain for compartmentalized thought and meaning, often using sardonic humor to "settle the bile".

 Abramson accepted "everything as its material", aligning with the collage technique that abolishes the separation between art and life.
This poetical intent is highlighted in pieces like:

• “Oracles” – A series of 14 boxes based on Greek oracles, designated as his masterwork.
• “Box with Box & Two Columns” (1992) – A work that parallels Cornell’s Untitled (Girl and Two Columns).
• “Utopia Parkway” (1993) – A piece that salutes the fanciful perfection of Cornell’s “Day.”