Dan Abramson was a polymath: his creativity ranged far afield of visual art. He was a Zelig- or Forrest Gump-like figure in the mix of cultural landmark movements. Dan expressed himself in numerous creative disciplines across several decades. His writing completes the story of his improbable life, just as fascinating as the visual work itself. This section outlines his extensive output and reinforces his self-description as a "dilettante".

Content and Scope
Massive Output: Abramson was a prolific writer, authoring three novels, 26 screenplays and treatments, plays, short fiction and poetry.

Advertising Career: He was also an award-winning copywriter, a prototypical Madison Avenue "Mad Man" working on iconic campaigns.

Abramson began his professional writing career early as a contributing writer and associate editor for the Viking-published anthology ART: USA: TODAY. His artist profile on Willem de Kooning places him within the critical discourse of the American art world during the early 1960s.

The writing reveals the full spectrum of Abramson's intellect, demonstrating that his creative impulse spanned every conceivable medium—from the visceral intensity of action painting to the discipline required to craft three novels—underscoring his commitment to art as a "language without lies" that disrupts apathy.

From 2004-5, Danny A wrote a three-volume anthology of found-word poems, 1986 Vol. I/II/III. Drawing on all his visual language from the last two decades, he illuminated them, creating the 'lined' paper and adding collage and painterly elements. In the poem 'Obituary' from Vol. I, you will find hints into how he structured his seemingly random, deconstructed compositions.

Painter by night, award-winning copywriter by day at Doyle Dane Bernbach, the inspiration for Mad Men. Dan worked as a copywriter on iconic campaigns in advertising's heyday, across print, radio, and commercials.